To believe, to believe, to believe in...
Music
Melodies
Harmony
Magic
Mysteries
Things you can't see
Have to know
Our place
Have to know
Ourselves
Have to live
Together
Have to try
To be
To believe, to believe, to believe in...
Music, music, music, music...
As a touch of divine
Winds come to bring
A shuffle of joy
Listen
Music You can get
Music (now) You can feel
Music (do it!) Have to sart
Music Can't stop it
Now it's time to remove
Universe calls me
Out of this world
To be
Music Night and day
Music More and more
Music Everywhere
Music For ever
Shadows come down to the earth
Sheltering dawn
from moonlight escape
Time is
Music Nothingness
Music Melody
Music Not to say
Music Just to feel
When your heart become fire
You will find
Seventh step to the skies
Hold that night, To be
Hold that night, Smiling
Hold that night, When come
Hold that night, The end
credits
from Troll Vol.2,
released February 17, 2020
Michel ALTMAYER: drums, piano, keyboards, lead and background vocals
Francis MOZE: fretless bass
Roger ALTMAYER: percussions
Klaus BLASQUIZ: lead vocal
Stella VANDER, Guy KHALIFA: background vocals
Jean Luc SCHAEFFER: trumpet
Alain GUILLARD: tenor and soprano saxophones
Olivier MOINGEON: trombone
supported by 9 fans who also own “Impressions for Tomorrow”
Thanks to the nice-endof-year-offer I came to fill this gap in my private worm collection (a, pardon me, worm hole, so to speak :-))
Wonderful reminiscence to many good things past (Canterbury, 70s prog, folk rock) with a good sense of humour and great ideas (both in the songwriting & in the arrangements) . Carsten Pieper
supported by 8 fans who also own “Impressions for Tomorrow”
agri-math rock? Rural melodic punk?
Christ knows what this is...but its damn good! Great use of 'alternative' instruments and structures to achieve a great instrumental music tinman73
supported by 7 fans who also own “Impressions for Tomorrow”
MAGMA s'est autoproclamé comme étant le meilleur groupe de l'univers mais ce titre n'est pas usurpé car il ne fait justement qu'un avec l'univers, il appartient à toutes et tous. Christian Vander pousse cette logique jusqu'au bout dans Kãrtëhl, album dans lequel il n'est plus le seul compositeur — une première depuis Üdü Wüdü ! Il ne s'agit pas d'une grande épopée mais de chansons qui fonctionnent indépendamment, qui peuvent ainsi évoluer en très peu de temps. C'est lumineux, chaud et intense ! Jordan Vauvert
supported by 7 fans who also own “Impressions for Tomorrow”
The new live EP by Ryan W. Stevenson's project reminded me, that this debut album must have been gone down the wishlist... If instrumental Canterbury stuff is your thing, this should be a no-brainer. Firmly rooted in the past (late 60s, 70s), nevertheless with a fresh sound. Guests incude The Tangent's Andy Tillison and Soft Machine's Theo Travis. Carsten Pieper